The talented musician, a key member of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.
Together with vocalist Marc Almond, the pair scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.
He later founded the innovative techno group The Grid, who achieved chart success with 1994's Swamp Thing.
Ball died peacefully in his rest at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
Health Struggles
During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.
"I managed to injure myself quite a bit," he stated in 2023. "I fractured lower vertebrae in my spine and cracked about five ribs and fractured my wrist."
After catching a lung infection and suffering from sepsis, he was put in an medically-induced sleep and stayed in hospital for half a year.
Nevertheless, he had been in "a great place mentally" over the summer, as he was developing a new album with Almond, called Danceteria, which is set for release in the coming year.
"He was focused and so happy with the new album that we actually finished only a short time ago," said the singer in a heartfelt message.
"It's so sad as 2026 was completely planned to be such an positive time for him, and I find comfort from the fact that he heard the finished record and believed that it was a masterpiece."
Heartfelt Messages
Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.
"Thank you Dave for being an significant part of my existence and for the songs you gave me. I couldn't be where I am without you."
Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".
"Being in a duo with someone is distinct from joining a group, the bond is very tight," he added.
"That's how it was with us. We went through so many extraordinary, extraordinary, life-affirming experiences together. Many thanks, Dave."
Formative Years
Brought into the world into a single-parent household in the city of Chester in 1959, Ball was given up for adoption when he was a year and a half of age.
He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his given name from his birth name to David, together with his younger sister Susan, who was also adopted.
He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning fine arts. Fuelled by a shared love of a music genre, they established Soft Cell the same year, and promptly recorded an extended play.
Creative Collaboration
The pair were an unusual combination: Ball was the quiet technician, hunched over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they attained a rare musical alchemy.
Ball had developed a fascination with synthesizers after viewing the band Kraftwerk perform on a television science show Tomorrow's World, and started to combine dark electronica to the catchy tunes Almond was composing.
Their signature song became the UK's second biggest-selling single of 1981, selling 21 million units globally. Alongside successful tracks by other artists, Human League and electronic acts, it contributed to cleared the path for the synth-pop sound of the 80s.
The track was also included on their first album, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.
They continued the record up with the separate release, Torch, which peaked at number two in the following year.
Professional Journey
Fame had its benefits. "I loved being able to purchase my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball recently shared with a music magazine.
But it also caused challenges. "Newfound wealth allowed we could purchase substances to relieve the boredom" of media interviews and TV performances, Ball explained.
"I know that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."
During the hedonistic lifestyle, the duo were also growing distant, but they managed to produce a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.
They put out another LP, 1984's This Last Night In Sodom, before ending the band to concentrate on individual endeavors.
Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a long-lasting collaboration.
Reunions and Final Projects
Soft Cell reunited in 2001, releasing the charting album Cruelty Without Beauty.
Following a further hiatus, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.
Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic restrictions.
Ball lately characterized the duo's upcoming release as a homage to the New York club scene they visited while recording their first two albums.
He added that his time in medical care had shaped the group's music.
"I had strange recollections when I was coming and going of hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the noises in my mind from those days.
"In parallel, it's about the times me and Marc had in the 1980s."
The final mixes were completed only a short time before Ball passed away. It is due for release in the spring of 2026.